Jonathan Rozenkrantz has a PhD in Cinema Studies. He has been a writer and editor for more than a decade, publishing extensively on film, visual arts, and media culture. He is currently teaching at the Department of Media Studies. He is also the main editor for the Swedish Film Institute's film pedagogical project on teaching about the Swedish national minorities.
His dissertation Electronic Labyrinths: An Archaeology of Videographic Cinema (2019) scans six decades of film history in search for video images, the imaginaries within which they are framed, and (taking cues from the archaeological methods of Friedrich Kittler and Michel Foucault) their technical, historical, and institutional conditions of existence.