Journal Article

Re-conceptualizing Ingmar Bergman’s status as auteur du cinema

Publication

Abstract

Why is it that some film directors become and remain central in the reception of their works and others do not? Classical auteur theory suggests the answer lies in the personality of the director. In this article, we explore and re-conceptualize the status of auteur du cinema Ingmar Bergman, Swedish film director. In line with Dyer’s gap between the institution and the audience, we explore Bergman’s self-fashioning through his own published writings and compare this to what was written about him in the Swedish press between 1944 and 1983, his most active years as a film director. The result is an analysis of dominant and alternative cultural discourses concerning Bergman’s authorship that facilitates an exploration into the corresponding interpretative strategies located in the audience. Here, Bergman’s status as popular celebrity in Sweden contributes to a paradoxical image – and recognition – of the high-art auteur, not in the least through his own myth-making.

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Details

  • Type:
    Journal Article (peer reviewed)
  • Journal:
    European Journal of Cultural Studies, Vol 20, Issue 5.
  • Published:
    2017
  • Language:
    English

About the Author

Jono Van Belle

Jono Van Belle is a PhD candidate at IMS at Stockholm University, Sweden, in cooperation with CIMS at Ghent University, Belgium. Her project aims to capture the meaning of Bergman and his films in the everyday lives of people contemporaneous to hi... Read more

Reference

Van Belle, J. (2017). Re-conceptualizing Ingmar Bergman’s status as auteur du cinema. European Journal of Cultural Studies, 20(5). Available at: http://journals.sagepub.com/eprint/ViVRjCXHJmxmHxSun5dr/full [Accessed 20 Nov. 2017].