| Published |
Title |
Journal |
Authors |
| 2013 |
“Intermedial Thought in Classical Film Theory: Balázs, Arnheim, and Benjamin on Film and Radio” |
The Germanic Review |
Doron Galili |
| 2013 |
Wave-Riding and Hashtag-Jumping: Twitter, Minority "Third Parties" and the 2012 US Elections |
Information, Communication and Society |
Christian Christensen |
| 2013 |
@Sweden: Curating a Nation on Twitter |
Popular Communication: The International Journal of Media and Culture |
Christian Christensen |
| 2013 |
The Arab Spring as Meta-Event and Communicative Spaces |
Television & New Media |
Christian Christensen, Miyase Christensen |
| 2012 |
(Pro)Creative Encounters: From Photo-Painting to Video-Film |
Film International |
Jonathan Rozenkrantz |
| 2012 |
9.11 in Sweden: Commemoration at Electronic Sites of Memory |
Television and New Media |
Amanda Lagerkvist |
| 2012 |
Narratives of Resistance: comparing global news coverage of the Arab Spring |
New Global Studies |
Alexa Robertson |
| 2012 |
Understanding Accumulation: The Relevance of Marx’s Theory of Primitive Accumulation in Media and Communication Studies. |
TripleC: Communication, Capitalism & Critique |
Mattias Ekman |
| 2012 |
Gunnar Iversen: Norsk filmhistorie |
Norsk medietidsskrift |
Joel Frykholm |
| 2012 |
Review of "On Media Memory: Collective Memory in a New Media Age" |
Nordicom Information |
Amanda Lagerkvist |
| 2012 |
A Cinema of Presence and Proximity: Gunvor Nelson’s Collage Films and the Aesthetics of the Signaletic Material before the Electronic Signal |
Journal of Aesthetics and Culture |
John Sundholm |
| 2012 |
Thoughts on States, Revolutions and Liberation Technologies |
Irish Studies in International Affairs |
Christian Christensen |
| 2012 |
The production of pro-suicide content on the Internet: A counter-discourse activity |
New Media and Society |
Michael Westerlund |
| 2012 |
Assemblage, Adaptation and Apps: Smartphones and Mobile Gaming |
Continuum: Journal of Media and Cultural Studies |
Christian Christensen |
| 2012 |
Covering Assange: Taking our Eyes off the Prize |
British Journalism Review |
Christian Christensen |
| 2011 |
Digital Feudalism: Enclosures and Erasures from the Digital Rights Management to the Digital Divide |
CommLaw Conspectus: The Journal of Communications Law and Policy. |
Sascha D. Meinrath, James Losey, Victor Pickard |
| 2011 |
Tears on the screen: Bodily emotionalism in Reality-Tv |
Observatorioe |
Anja Hirdman |
| 2011 |
Introduction: On Photography, History and Memory in Spain |
Hispanic Issues Online Debates |
Maria Nilsson |
| 2011 |
Book review: Film Festival Yearbook 1 and 2 |
Historical Journal of Film, Radio and Television |
Ingrid Stigsdotter |
| 2011 |
A Growing Digital Divide: Internet freedom and the negative impact of command-and-control networking |
IEEE Internet Computing |
Sascha D. Meinrath, Benjamin Lennett, James Losey |