| Published |
Title |
Journal |
Authors |
| 2016 |
Analogue Video in the Age of Retrospectacle: Aesthetics, Technology, Subculture |
Alphaville Journal of Film and Screen Media |
Jonathan Rozenkrantz |
| 2016 |
Im/possible desires: media temporalities and (post)human-technology relationships |
Confero: Essays on Education, Philosophy and Politics |
Jörgen Rahm-Skågeby |
| 2016 |
Hollywood-Montage: Theorie, Geschichte und Analyse des “Vorkapich-Effekts” |
Montage AV. Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation |
Patrick Vonderau |
| 2016 |
A battle about gender equality: affect, expertise and resistance in the strategic state |
Sosiologia |
Anna Elomäki , Johanna Kantola, Anu Koivunen, Hanna Ylöstalo |
| 2016 |
Barbarella’s wardrobe: Exploring Jacques Fonteray’s intergalactic runway |
Film, Fashion and Consumption |
Elizabeth Castaldo Lundén |
| 2016 |
Speaking through the flesh: Affective encounters, gazes and desire in Harlequin romances |
MedieKultur. Journal of media and communication research |
Anja Hirdman |
| 2016 |
From Critical Perspectives to Media Reform: A Review of Three Books |
International Journal of Communication |
James Losey |
| 2016 |
Exhibition Review: Stephen Burrows: When Fashion Danced |
Fashion Practice |
Lauren Downing Peters |
| 2016 |
Beyond Accented and Exilic: Latin-American Minor Cinemas in Sweden, 1970-1990 |
Studies in Spanish & Latin American Cinemas |
LG Andersson, John Sundholm |
| 2016 |
Prepare for Monsters!: Governance by Popular Culture |
Irish Journal of Gothic and Horror Studies |
Lina Rahm, Jörgen Rahm-Skågeby |
| 2016 |
Affective historiography: archival aesthetics and the temporalities of televisual nation-building |
International Journal of Communication |
Anu Koivunen |
| 2016 |
Elite Interaction: Public service broadcasters’ use of Twitter during national elections in Norway and Sweden |
Journalism Practice |
Christian Christensen, Bente Kalsnes, Anders Olof Larsson |
| 2016 |
The new within the old, the old within the new: Transmediality and the introduction of the kinematograph in the case of ALADIN OU LA LAMPE MERVEILLEUSE (1898) |
Kultura Popularna |
Gert Jan Harkema |
| 2016 |
The links that bind: WikiLeaks, Twitter, and the Julian Assange case |
Popular Communication |
Christian Christensen |
| 2016 |
Film Review: The First Monday in May |
The Journal of Curatorial Studies |
Lauren Downing Peters |
| 2016 |
Tracing Online News in Motion: Time and duration in the study of liquid journalism |
Digital Journalism |
Andreas Widholm |
| 2016 |
The sociality of public space broadcasting during media events |
Convergence: The International Journal of Research into New Media Technologies |
Andreas Widholm |
| 2016 |
In Defense of The Digital Craftsperson |
Journal of Peer Production |
Sascha D. Meinrath, James Losey |
| 2016 |
The Video Bubble: Multi-Channel Networks and the Transformation of Youtube |
Convergence |
Patrick Vonderau |
| 2016 |
Exhibition Review: Beyond Measure: Fashion and the Plus-Size* Woman |
Textile History |
Lauren Downing Peters |