| Published |
Title |
Journal |
Authors |
| 2012 |
A Cinema of Presence and Proximity: Gunvor Nelson’s Collage Films and the Aesthetics of the Signaletic Material before the Electronic Signal |
Journal of Aesthetics and Culture |
John Sundholm |
| 2012 |
The production of pro-suicide content on the Internet: A counter-discourse activity |
New Media and Society |
Michael Westerlund |
| 2012 |
Covering Assange: Taking our Eyes off the Prize |
British Journalism Review |
Christian Christensen |
| 2012 |
Assemblage, Adaptation and Apps: Smartphones and Mobile Gaming |
Continuum: Journal of Media and Cultural Studies |
Christian Christensen |
| 2012 |
Thoughts on States, Revolutions and Liberation Technologies |
Irish Studies in International Affairs |
Christian Christensen |
| 2011 |
Digital Feudalism: Enclosures and Erasures from the Digital Rights Management to the Digital Divide |
CommLaw Conspectus: The Journal of Communications Law and Policy. |
Sascha D. Meinrath, James Losey, Victor Pickard |
| 2011 |
Book review: Film Festival Yearbook 1 and 2 |
Historical Journal of Film, Radio and Television |
Ingrid Stigsdotter |
| 2011 |
A Growing Digital Divide: Internet freedom and the negative impact of command-and-control networking |
IEEE Internet Computing |
Sascha D. Meinrath, Benjamin Lennett, James Losey |
| 2011 |
Colourful Claims: towards a theory of animated documentary |
Film International |
Jonathan Rozenkrantz |
| 2011 |
Directing diversity: Managing cultural diversity media policies in Finnish and Swedish public service broadcasting |
International Journal of Cultural Studies |
Karina Horsti, Gunilla Hultén |
| 2011 |
Slow and fast music media: comparing values of cassettes and playlists |
Transformations Journal of Media and Culture |
Jörgen Skågeby |
| 2011 |
The irony of serendipity: disruptions in social information behaviour |
Library Hi Tech |
Jörgen Skågeby |
| 2011 |
Pre-produsage and the remediation of virtual products |
New Review of Hypermedia and Multimedia |
Jörgen Skågeby |
| 2011 |
Unconscious Class Awareness? The reception of class dimensions in Three Loves, Falcon Crest and TV News |
OBS - Observatorio |
Sven Ross |
| 2011 |
The Cultural Policies of Minor Cinema Practices: The Swedish Film Workshop during its First Years |
Studies in European Cinema |
Lars Gustaf Andersson, John Sundholm |
| 2011 |
Visions of Transnational Memory |
Journal of Aesthetics and Culture |
John Sundholm |
| 2011 |
Discourses of Technology and Liberation: State Aid to Net Activists in an Era of Twitter Revolutions. |
The Communication Review |
Christian Christensen |
| 2010 |
Film Workshops as Polyvocal Public Spheres: Minor Cinemas in Sweden |
Canadian Journal of Film Studies |
Lars Gustaf Andersson, John Sundholm |
| 2010 |
The Future is Here: Media, Memory and Futurity in Shanghai |
Space & Culture |
Amanda Lagerkvist |
| 2010 |
A Virtual America: Americans and ‘American’ Spaces in New Shanghai |
American Studies in Scandinavia |
Amanda Lagerkvist |