| Published |
Title |
Anthology |
Authors |
| 2021 |
Medierna och brottsjournalistiken |
Handbok i rättspsykologi |
Ester Pollack |
| 2021 |
Svängdörrarnas förlovade land: Lobbyismens betydelse för klassamhällets eliter |
Klass i Sverige. Ojämlikheten, makten och politiken i det 21 århundradet |
Sigurd Allern, Ester Pollack |
| 2021 |
Cultural Communication as Political Communication |
Power, Communication, and Politics in the Nordic Countries |
Nete Nørgaard Kristensen, Anna Roosvall |
| 2021 |
Development, trends and challenges in Nordic political journalism |
Power, Communication and Politics in the Nordic Countries |
Sigurd Allern, Mark Black–Ørsten, Anu Kantola, Ester Pollack |
| 2021 |
We interrupt this program: on the cultural techniques of ’technical difficulties’ |
Miscommunication: Errors, Mistakes, and the Media |
Jörgen Rahm-Skågeby |
| 2021 |
Magic Language, Esoteric Nature: Rikki Ducornet’s Surrealist Ecology |
Surrealist Women's Writing: A Critical Exploration |
Kristoffer Noheden |
| 2021 |
Rational Follies. Fashion, Luxury and Credit in Eighteenth-Century Paris: Fashion, Luxury and Credit in Eighteenth-Century Paris |
Luxury, Fashion and the Early Modern Idea of Credit |
Paula von Wachenfeldt |
| 2020 |
Handsken i labyrintens mitt: Nadja och den dokumentära surrealismen |
Att skriva med ljus: 13 essär om litteratur och fotografi |
Kristoffer Noheden |
| 2020 |
Introduction to climate justice communication |
Research Handbook on Communicating Climate Change |
Anna Roosvall, Matthew Tegelberg |
| 2020 |
The importance of the matters, geographies, and mediations of justice |
Research Handbook on Communicating Climate Change |
Anna Roosvall, Matthew Tegelberg |
| 2020 |
”Hur Rolf blev Lassgård. En skådespelares persona och den svenska självbilden i närhistoriskt perspektiv” |
Historiska fiktioner – en antologi om film, tv och historia |
Maaret Koskinen |
| 2020 |
Brottslighet och namnpublicering |
Uthängd! – inte bara #metoo |
Ester Pollack |
| 2020 |
With Eyes Wide Open: Gender Equality in the Polish Film Industry |
Women in the International Film Industry. Policy, Practice and Power |
Greta Gober |
| 2020 |
Facing the Queer Migrant in Swedish Noir |
Queering the Migrant in Contemporary European Cinema |
Louise Wallenberg |
| 2020 |
Myten om datajournalistik |
Mellan det hyperlokala och globala: Journalistikens förändringar och utmaningar i en digital tid. Vänbok till Gunnar Nygren |
Ester Appelgren, Andreas Widholm |
| 2020 |
“Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ The Girl in the Spider’s Web as Implicit Film Script” |
Nordic Noir, Adaptation, Appropriation. Palgrave Studies in Adapatation and Visual Studies |
Maaret Koskinen |
| 2020 |
Men in Boots: On Spectacular Masculinity and Desublimation |
SHOE REELS: The History and Philosophy of Footwear in Film |
Louise Wallenberg |
| 2020 |
“A More Participatory Culture” An Afterword to the Hebrew edition and a conversation with Henry Jenkins |
Hitlakdut Tarbutit / Convergence Culture |
Doron Galili |
| 2020 |
Media and climate migration: Transnational and local reporting on vulnerable island communities |
Media, journalism and disaster communities |
Florencia Enghel, Anna Roosvall, Matthew Tegelberg |
| 2020 |
Experiencing Male Dominance in Swedish Film Production |
Women Film Workers |
Maria Jansson, Louise Wallenberg |