Artikel i tidskrift

Hypnotic Ecology: Environmental Melancholia in Lars von Trier’s Films

Publication

Författare
Kristoffer Noheden

Abstrakt

This article examines Lars von Trier’s The Element of Crime (1984), Antichrist (2009) and Melancholia (2011) from the perspective of ecological theories that seek to go beyond the green ecological paradigm. The three films depict the environment as fraught with a sense of unease, bound up with a melancholia that may be caused by either too little or too much intimacy with the nonhuman. The article shows that Trier’s despair and irony, anchored in a modernist distrust of reason, may be attuned to the conditions of the Anthropocene. Examining Trier’s allusions to premodern forms of knowledge reveals that his depictions of hypnosis and depression evoke privileged forms of knowledge that extend the environmental disaster to cosmic proportions. Turning to notions of dark ecology, the article argues that Trier’s black sensibility holds the seeds of a positive ecological awareness of interconnectedness and interdependence of humans with the surrounding world.

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Detaljer

  • Typ:
    Artikel i tidskrift (refereegranskat)
  • Tidskrift:
    Journal of Scandinavian Cinema, Vol 8, Nr 2.
  • Sidor:
    135-148
  • Publicerad:
    2018
  • Språk:
    Engelska

Om författaren

Kristoffer Noheden

Kristoffer Noheden är forskare i filmvetenskap. Han disputerade på en avhandling om surrealistisk film i efterkrigstiden vid Stockholms universitet 2015, och har en fil mag i filmvetenskap och en fil kand i kulturvetenskap från Göteborgs universit... Läs vidare

Referens

Noheden, K. (2018). Hypnotic Ecology: Environmental Melancholia in Lars von Trier’s Films. Journal of Scandinavian Cinema, 8(2), pp. 135-148.