| Publicerad |
Titel |
Typ |
Författare |
| 2017 |
Performative Intimacies and Political Celebritisation |
Kapitel i antologi |
Mattias Ekman, Andreas Widholm |
| 2017 |
Political communication in an age of visual connectivity: Exploring instagram practices among swedish politicians |
Artikel i tidskrift |
Mattias Ekman, Andreas Widholm |
| 2017 |
What Is Cultural News Good For? Finnish, Norwegian, and Swedish cultural journalism in public service organisations |
Kapitel i antologi |
Heiki Hellman, Leif-Ove Larsen, Silje Nygaard, Kristina Riegert, Andreas Widholm |
| 2017 |
Paternalism, samhällsgranskning och filantropi: Mediala modeller för engagemang i välfärdsfrågan |
Kapitel i antologi |
Magnus Danielson |
| 2017 |
Ingmar Bergman och den lekfulla skriften: studier av anteckningar, utkast och filmidéer i arkivets samlingar |
Bok |
Anna Sofia Rossholm |
| 2017 |
"Vietnam in transmission: Documentary film and solidarity programming in Swedish broadcasting culture (1967-72)" |
Artikel i tidskrift |
Malin Wahlberg |
| 2017 |
Animal Intrusion in the Enchanters’ Domain: Communion with Goats and Cats in Nelly Kaplan’s Feature Films |
Konferensbidrag |
Kristoffer Noheden |
| 2017 |
Re-conceptualizing Ingmar Bergman’s status as auteur du cinema |
Artikel i tidskrift |
Jono Van Belle |
| 2017 |
Cuerpos de Emulación Pecuniaria: Estrellas de Hollywood como elemento homogeneizador de la femineidad e identidad nacional en los Estados Unidos (1906-1930) |
Konferensbidrag |
Elizabeth Castaldo Lundén |
| 2017 |
Preston Sturges' Stock Company of Character Actors |
Konferensbidrag |
Linn Lönroth |
| 2017 |
Documenting the Present, Processing the Past, Shaping Future Memory: The Face of AIDS Archive |
Artikel i tidskrift |
Mariah Larsson, Anna Sofia Rossholm |
| 2017 |
Eine kurze Geschichte des Scheiterns: Googles Nexus Q und die Grenzen von Streaming-Technologien |
Artikel i tidskrift |
Chris Baumann |
| 2017 |
"Der Mechanismus der Korrespondenzen": André Breton, der Nachkriegssurrealismus und die Filmtheorie |
Artikel i tidskrift |
Kristoffer Noheden |
| 2017 |
Looking Fat in a Slender World: The Dialectic of Seeing and Becoming in Jen Davis' 'Eleven Years' |
Konferensbidrag |
Lauren Downing Peters |
| 2017 |
'More ludicrous than the original': vaudeville, moving pictures, and the presence/absence of bodies 1896-1897 |
Konferensbidrag |
Gert Jan Harkema |
| 2017 |
Surrealism, Cinema, and the Search for a New Myth |
Bok |
Kristoffer Noheden |
| 2017 |
Accented Epistles: Creative Treatment of Exile and Personal Loss in Hidden (2002) and Still Born (2014) |
Konferensbidrag |
Jonathan Rozenkrantz |
| 2017 |
The (Im)Possibilities of Graffiti- and Street Art: Constructions of ‘Femininity’ |
Konferensbidrag |
Tindra Thor |
| 2017 |
Netflix's Distribution Infrastructure as a Site of Cultural Production |
Konferensbidrag |
Chris Baumann |
| 2017 |
Absolute Deviance?: Surrealism, Occultism, and Ecology |
Konferensbidrag |
Kristoffer Noheden |