| Publicerad |
Titel |
Tidskrift |
Författare |
| 2017 |
The reciprocal city: Performing solidarity - Mediating space through street art and graffiti |
International Communication Gazette |
Miyase Christensen, Tindra Thor |
| 2017 |
Political communication in an age of visual connectivity: Exploring instagram practices among swedish politicians |
Northern Lights |
Mattias Ekman, Andreas Widholm |
| 2017 |
"Vietnam in transmission: Documentary film and solidarity programming in Swedish broadcasting culture (1967-72)" |
Journal of Scandinavian Cinema |
Malin Wahlberg |
| 2017 |
Re-conceptualizing Ingmar Bergman’s status as auteur du cinema |
European Journal of Cultural Studies |
Jono Van Belle |
| 2017 |
Eine kurze Geschichte des Scheiterns: Googles Nexus Q und die Grenzen von Streaming-Technologien |
Montage AV |
Chris Baumann |
| 2017 |
"Der Mechanismus der Korrespondenzen": André Breton, der Nachkriegssurrealismus und die Filmtheorie |
Montage AV |
Kristoffer Noheden |
| 2017 |
Changing love in ‘Scener ur ett Äktenskap’ (Ingmar Bergman, 1973) |
Tijdschrift voor Skandinavistiek |
Eduard Cuelenaere, Jono Van Belle |
| 2017 |
On the problematic matter of success in communication for social change |
Commons |
Florencia Enghel |
| 2017 |
The Grand Interruption: Death Online and Mediated Lifelines of Shared Vulnerability |
Feminist Media Studies |
Yvonne Andersson, Amanda Lagerkvist |
| 2017 |
‘Move as if Alive’: The Kinematograph as Unstable Technology of Movement and its Impact on the Spectator |
Synoptique: An Online Journal of Film and Moving Image Studies |
Gert Jan Harkema |
| 2017 |
Design and the Digital Bible: Persuasive Technology and Religious Reading |
Journal of Contemporary Religion |
Timothy Hutchings |
| 2017 |
Book Review: Television and Romance: Studies, Observations and Interpretations |
Communications |
Jono Van Belle |
| 2017 |
"We are a United Humanity": Death, Emotion and Digital Media in the Church of Sweden |
Journal of Broadcasting and Electronic Media |
Timothy Hutchings |
| 2017 |
Flesh-images.: Body shame and affective ambiguites in Celebrity gossip magazines |
Celebrity Studies |
Anja Hirdman |
| 2017 |
The mediated politics of place and people: Picturing the ‘contested place-making’ of Irish Travellers at Dale Farm |
Social Identities: Journal for the Study of Race, Nation and Culture |
Anna Roosvall |
| 2017 |
"Fashion Plus": Pose and the Plus-Size Body in Vogue, 1986-1988 |
Fashion Theory: The Journal of Dress, Body & Culture |
Lauren Downing Peters |
| 2016 |
Analogue Video in the Age of Retrospectacle: Aesthetics, Technology, Subculture |
Alphaville Journal of Film and Screen Media |
Jonathan Rozenkrantz |
| 2016 |
Im/possible desires: media temporalities and (post)human-technology relationships |
Confero: Essays on Education, Philosophy and Politics |
Jörgen Skågeby |
| 2016 |
Hollywood-Montage: Theorie, Geschichte und Analyse des “Vorkapich-Effekts” |
Montage AV. Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation |
Patrick Vonderau |
| 2016 |
Barbarella’s wardrobe: Exploring Jacques Fonteray’s intergalactic runway |
Film, Fashion and Consumption |
Elizabeth Castaldo Lundén |