| Publicerad |
Titel |
Tidskrift |
Författare |
| 2022 |
Missionaries of Excellence? Post-award Role Orientations of Journalism Prize Winners |
Journalism Studies |
Joy Kibarabara |
| 2022 |
Parasitic news: Adoption and adaption of journalistic conventions in political communication |
Journalism |
Mattias Ekman, Andreas Widholm |
| 2022 |
Narrating “Their War” and “Our War”: The Patriotic Journalism Paradigm in the Context of Swedish and Ukrainian Conflict Coverage |
Central European Journal of Communication |
Gunnar Nygren, Dariya Orlova, Nina Springer, Daria Taradai, Andreas Widholm |
| 2022 |
Managing Public Service: The Harmonization of Datafication and Managerialism in the Development of a News-Sorting Algorithm |
Digital Journalism |
Jörgen Rahm-Skågeby, Torbjörn Rolandsson, Andreas Widholm |
| 2022 |
A softer kind of hard news?: Data journalism and the digital renewal of public service news in Sweden |
New Media & Society |
Ester Appelgren, Andreas Widholm |
| 2022 |
Screen decorum: Silent Hollywood and neoclassical concepts of acting |
Necsus_European Journal of Media Studies |
Doron Galili |
| 2022 |
Branding the Oscarcast: The public relations strategies that established the Academy Awards ceremony as a media spectacle |
Historical Journal of Film, Radio and Television |
Elizabeth Castaldo Lundén |
| 2022 |
The great replacement: Strategic mainstreaming of far-right conspiracy claims |
Convergence: The International Journal of Research into New Media Technologies |
Mattias Ekman |
| 2022 |
The Precariousness of Jewish Visibility: Surviving Antisemitism in Swedish Cinema |
Journal of Scandinavian Cinema |
Jonathan Rozenkrantz |
| 2021 |
“Unreal Time: A Conversation on Film Theory, Media Historiography, and the Scales of Pandemic Catastrophe,” coauthored with Mary Ann Doane |
Framework |
Doron Galili |
| 2021 |
Involuntary Dogme restrictions: Orca and COVID-19 screen culture |
Journal of Scandinavian Cinema |
Maaret Koskinen |
| 2021 |
Digitala distraktioner |
IKAROS |
Anja Hirdman |
| 2021 |
Introduction: On and Off Screen: Women's Work in the Screen Industries |
Gender, Work and Organization |
Maria Jansson, Louise Wallenberg |
| 2021 |
HCI and Deep Time: Towards Deep Time Design Thinking |
Human-Computer Interaction |
Lina Rahm, Jörgen Rahm-Skågeby |
| 2021 |
Binge-Watching and the Transformation of Quality Television |
featured article for NordMedia Network |
Joel Frykholm |
| 2021 |
‘I don’t have a skull… Or bones’: Minor Characters in Disney Animation |
Animation: an interdisciplinary journal |
Linn Lönroth |
| 2021 |
Media and the Climate Crisis (introduction tro special issue) |
Nordic Journal of Media Studies |
Risto Kunelius, Anna Roosvall |
| 2021 |
Re-presencing, re-containing, re-materializing music |
Media Fields |
Jörgen Rahm-Skågeby |
| 2021 |
Clothing Economy and Clothing Culture: The Nineteenth-Century Farm Wardrobe in a Gendered Perspective |
Gender & History |
Marie Tengroth Ulväng |
| 2021 |
‘Battleship Femininity’ deconstructed: Unmasking the myth of Eva Dahlbeck and Ingmar Bergman |
Journal of Scandinavian Cinema |
Saki Kobayashi |