| Publicerad |
Titel |
Tidskrift |
Författare |
| 2017 |
"Der Mechanismus der Korrespondenzen": André Breton, der Nachkriegssurrealismus und die Filmtheorie |
Montage AV |
Kristoffer Noheden |
| 2017 |
‘Move as if Alive’: The Kinematograph as Unstable Technology of Movement and its Impact on the Spectator |
Synoptique: An Online Journal of Film and Moving Image Studies |
Gert Jan Harkema |
| 2017 |
Design and the Digital Bible: Persuasive Technology and Religious Reading |
Journal of Contemporary Religion |
Timothy Hutchings |
| 2017 |
"We are a United Humanity": Death, Emotion and Digital Media in the Church of Sweden |
Journal of Broadcasting and Electronic Media |
Timothy Hutchings |
| 2017 |
Flesh-images.: Body shame and affective ambiguites in Celebrity gossip magazines |
Celebrity Studies |
Anja Hirdman |
| 2017 |
The mediated politics of place and people: Picturing the ‘contested place-making’ of Irish Travellers at Dale Farm |
Social Identities: Journal for the Study of Race, Nation and Culture |
Anna Roosvall |
| 2017 |
"Fashion Plus": Pose and the Plus-Size Body in Vogue, 1986-1988 |
Fashion Theory: The Journal of Dress, Body & Culture |
Lauren Downing Peters |
| 2016 |
Analogue Video in the Age of Retrospectacle: Aesthetics, Technology, Subculture |
Alphaville Journal of Film and Screen Media |
Jonathan Rozenkrantz |
| 2016 |
Im/possible desires: media temporalities and (post)human-technology relationships |
Confero: Essays on Education, Philosophy and Politics |
Jörgen Skågeby |
| 2016 |
Hollywood-Montage: Theorie, Geschichte und Analyse des “Vorkapich-Effekts” |
Montage AV. Zeitschrift für Theorie & Geschichte audiovisueller Kommunikation |
Patrick Vonderau |
| 2016 |
Barbarella’s wardrobe: Exploring Jacques Fonteray’s intergalactic runway |
Film, Fashion and Consumption |
Elizabeth Castaldo Lundén |
| 2016 |
From Critical Perspectives to Media Reform: A Review of Three Books |
International Journal of Communication |
James Losey |
| 2016 |
Exhibition Review: Stephen Burrows: When Fashion Danced |
Fashion Practice |
Lauren Downing Peters |
| 2016 |
Beyond Accented and Exilic: Latin-American Minor Cinemas in Sweden, 1970-1990 |
Studies in Spanish & Latin American Cinemas |
LG Andersson, John Sundholm |
| 2016 |
Prepare for Monsters!: Governance by Popular Culture |
Irish Journal of Gothic and Horror Studies |
Lina Rahm, Jörgen Skågeby |
| 2016 |
Elite Interaction: Public service broadcasters’ use of Twitter during national elections in Norway and Sweden |
Journalism Practice |
Christian Christensen, Bente Kalsnes, Anders Olof Larsson |
| 2016 |
The new within the old, the old within the new: Transmediality and the introduction of the kinematograph in the case of ALADIN OU LA LAMPE MERVEILLEUSE (1898) |
Kultura Popularna |
Gert Jan Harkema |
| 2016 |
The links that bind: WikiLeaks, Twitter, and the Julian Assange case |
Popular Communication |
Christian Christensen |
| 2016 |
Film Review: The First Monday in May |
The Journal of Curatorial Studies |
Lauren Downing Peters |
| 2016 |
In Defense of The Digital Craftsperson |
Journal of Peer Production |
Sascha D. Meinrath, James Losey |