Gert Jan Harkema
PhD Student – Section for Cinema Studies
Research Areas
Journal Articles
| Year | Title | Journal |
|---|---|---|
| 2017 | Henri Grünkorn: een geschiedenis van spektakel op de kermis voor de ‘Electrische Kinematograaf’ | Tijdschrift Mediageschiedenis |
| 2017 | ‘Move as if Alive’ | Synoptique: An Online Journal of Film and Moving Image Studies |
| 2016 | The new within the old, the old within the new | Kultura Popularna |
| 2016 | Fantasia of Color (review) | Tijdschrift voor Mediageschiedenis |
| 2015 | The beginnings of the cinema in England 1894–1901, volumes I–V (book review) | Historical Journal of Film, Radio and Television |
| 2015 | Hollywood legacies and Russian laughter | NECSUS: European Journal of Media Studies |
Chapters In Anthologies
| Year | Title | Anthology |
|---|---|---|
| 2016 | 'Edison’s Ideal' and the Visual Technics of the Sublime | Exposing the Film Apparatus: The Film Archive as a Research Laboratory |
| 2015 | Netherlands | Women Screenwriters: An International Guide |
Conference Papers
| Year | Title | Conference |
|---|---|---|
| 2017 | 'More ludicrous than the original' | NECS 2017 (Paris) |
| 2017 | Of the Lamp and the Light | Entangled Media Histories (EMHIS) Lund, 2017 |
| 2016 | 'Move as if Alive' | SCMS 2016 - Atlanta |
| 2015 | The new within the old, the old within the new | NECS 2015 - Transmediality Workshop |
| 2014 | The medium without a message? | NECS 2014 - Milan |
| 2014 | In search for silence | Early Cinema Studies Colloquium IX - Utrecht University |
| 2013 | 'All true and all false' | NECS 2013 Graduate workshop - Prague |
| 2012 | The moving image and the impossible presence of life | Alphaville Conference |
| 2012 | The very early moving image and the sublime impact of time | Film-Philosophy 2012 |
