| Title |
Duration |
Members |
| Documentary Surrealism |
2022 - 2025 |
Krzysztof Fijlkowski, Kristoffer Noheden |
| Rudolf Arnheim's Media Aesthetics |
2022 - 2025 |
Doron Galili |
| The Hybridization of Political Communication |
2022 - 2024 |
Mattias Ekman, Andreas Widholm |
| Palmemordet som kriminalfiktion: kulturdebatt i svensk press 1975–2020 |
2022 - 2022 |
Jonathan Rozenkrantz |
| Eyewitness video and human rights rights practice |
2021 - 2025 |
Kari Andén-Papadopoulos |
| Diversity Management as Innovation in Journalism |
2021 - 2023 |
Greta Gober |
| The Histories of the New American Cinema Expositions in Europe, 1964 and 1967-1968 |
2021 - 2024 |
Miguel Fernandez, John Sundholm |
| Houses and Social Practices in Swedish Towns 1600–1850 |
2021 - 2026 |
Gunhild Eriksdotter, Jenny Grandin, Dag Lindström, Linda Qviström, Göran Tagesson, Marie Tengroth Ulväng |
| Immigration and the Normalization of Racism: Discursive Shifts in Swedish Politics and Media 2010-22 |
2021 - 2023 |
Mattias Ekman |
| Gabriel Veyre in French Indochina, 1899-1900 |
2020 - 2023 |
John Fullerton |
| Oscars röda matta-fenomens globala påverkan |
2020 - 2021 |
Elizabeth Castaldo Lundén |
| Surrealism in Sweden 1930-2000: Between Presence and Absence. |
2020 - 2024 |
Andrea Kollnitz, Kristoffer Noheden |
| Moderna media och oljeindustrin |
2020 - 2022 |
Marina L. Dahlquist, Patrick Vonderau |
| Just Information. Information Inequality in a Global Perspective |
2019 - 2023 |
Alexa Robertson |
| ‘Let the American Show You’ |
2019 - 2022 |
Nadi Tofighian |
| “Inventing a Shared Science Diplomacy for Europe” |
2019 - 2021 |
Miyase Christensen, Nina Wormbs |
| Gabriel Veyre in French Indochina, 1899-1900 |
2019 - 2021 |
John Fullerton |
| Cleaning up the North |
2019 - 2021 |
Johanna Annola, Annelie Drakman, Marie Tengroth Ulväng |
| Warner Oland i gränslandet: Transnationell identitet och hybridkultur i den klassiska Hollywoodfilmens marginal |
2018 - 2021 |
Kim Khavar Fahlstedt |
| When sexualized violence becomes part of your job description. |
2018 - 2020 |
Greta Gober |