| Title |
Duration |
Members |
| Surrealism in Sweden 1930-2000: Between Presence and Absence. |
2020 - 2024 |
Andrea Kollnitz, Kristoffer Noheden |
| Moderna media och oljeindustrin |
2020 - 2022 |
Marina Dahlquist, Patrick Vonderau |
| ‘Let the American Show You’ |
2019 - 2021 |
Nadi Tofighian |
| “Inventing a Shared Science Diplomacy for Europe” |
2019 - 2021 |
Miyase Christensen, Nina Wormbs |
| Warner Oland i gränslandet: Transnationell identitet och hybridkultur i den klassiska Hollywoodfilmens marginal |
2018 - 2021 |
Kim Khavar Fahlstedt |
| When sexualized violence becomes part of your job description. |
2018 - 2020 |
Greta Gober |
| “Crosscuts Stockholm Environmental Film Festival” |
2018 - 2019 |
Miyase Christensen |
| Shadow Economies of the Internet |
2018 - 2020 |
Johan Lindquist, Patrick Vonderau |
| Representing women |
2018 - 2020 |
Maria Jansson, Frantzeska Papadopoulou, Ingrid Stigsdotter, Louise Wallenberg |
| Special Issue: Fashion Practice |
2017 - 2019 |
Lauren Downing Peters, Marco Pecorari |
| Imagination Against Anthropocentrism: Animals in Surrealism |
2017 - 2020 |
Kristoffer Noheden |
| Att ge röst åt det förflutna: Vittnesmål och minnesarbete i dokumentärfilmen |
2017 - 2019 |
Malin Wahlberg |
| Women's Film History Network: Norden |
2016 - 2017 |
Ingrid Stigsdotter |
| Hollywood Stardom Manuals: Conceptions and Pedagogies of Silent Film Acting |
2016 - 2020 |
Doron Galili |
| Special Issue: The International Journal of Fashion Studies |
2016 - 2018 |
Alessandro Bucci, Lauren Downing Peters, Chiara Faggella, Marco Pecorari |
| I-Media-Cities |
2016 - 2019 |
Maaret Koskinen, Ingrid Stigsdotter |
| Hush! The Aesthetics of Silence in Early Sound Film (c. 1927–1934) |
2016 - 2018 |
Daniel Wiegand |
| Mellan Flickorna och Amorosa |
2016 - 2019 |
Ingrid Ryberg |
| Animals in surrealist cinema |
2016 - 2017 |
Kristoffer Noheden |
| The Worlds of Cultural Journalism |
2016 - 2019 |
Kristina Riegert, Anna Roosvall, Andreas Widholm |