| Publicerad |
Titel |
Samlingsverk / Antologi |
Författare |
| 2019 |
Användningen av digitala arkiv inom humaniora |
Humanistiska fakulteten 1919-2019: Nedslag i Humaniora |
Elizabeth Castaldo Lundén |
| 2019 |
Charlie Chan’s Last Mystery, or, the Transcultural Disappearance of Warner Oland |
Nordic Film Cultures and Cinemas of Elsewhere |
Kim Khavar Fahlstedt |
| 2019 |
Let us roam the night together: Articulation and Representation in Tongues Untied and Moonlight |
Hollywood at the Intersection of Identity |
Louise Wallenberg |
| 2019 |
’One should always be able to do something’: Social Engineering and Organization in the Family Politics of Alva Myrdal |
Women Writers in Organization Studies |
Torkild Thanem, Louise Wallenberg |
| 2019 |
Ingmar Bergman - minne, arkiv, arkeologi |
Ingmar Bergman mellan teori och praktik. Reflektioner av forskare och konstnärer |
Maaret Koskinen |
| 2019 |
Allt mer tolkande journalistik: Subjektivitet, åsikter och känslor i nyhetsmedierna |
Nyheter – allt mer en tolkningsfråga: Mediestudiers innehållsanalys 2007-2018 |
Anna Roosvall, Andreas Widholm |
| 2019 |
Passageraren, eller hur jag tycker det är att resa |
Apropå Eric M. Nilsson. En antologi om Eric M. Nilssons filmer |
Malin Wahlberg |
| 2019 |
Fil(m)osofiska valfrändskaper. Eric M. Nilsson och Lars Gyllensten |
Apropå Eric M. Nilssson. En antologi om Eric M. Nilssons filmer |
Maaret Koskinen |
| 2019 |
Broadcasting Against the Grain: The Contradictory Roles of RT in Global Media Age |
Transnational Media: Concepts and Cases |
Liudmila Voronova, Andreas Widholm |
| 2019 |
New Nordic Noir: Political Scandals as Drama and Media Hunts |
The Routledge Companion to Media and Scandal |
Sigurd Allern, Ester Pollack |
| 2019 |
Костюмы у Бергмана: очевидный гендер, неясный пол |
Грани таланта. К 100-летию Ингмара Бергмана. Москва |
Louise Wallenberg |
| 2019 |
Magic |
The International Encyclopedia of Surrealism |
Kristoffer Noheden |
| 2019 |
Myth |
The International Encyclopedia of Surrealism |
Kristoffer Noheden |
| 2019 |
Expo Aleby, 1949: Wilhelm Freddie, Gösta Kriland, and Surrealist Magic Art in Stockholm |
A Cultural History of the Avant-Garde in the Nordic Countries, 1925-1950 |
Kristoffer Noheden |
| 2018 |
Moving Mountains: Cinema, Deep Time, and Climate Change in Hanna Ljungh’s I am Mountain, to Measure Impermanence |
Nordic Narratives of Nature and the Environment - Ecocritical Approaches to Northern European Literatures and Cultures |
Anna Sofia Rossholm |
| 2018 |
Anonymous Urban Disruptions: Exploring Banksy as Artistic Activist and Social Critic |
Postcolonial Intellectuals in Europe: Critics, Artists, Movements, and their Publics |
Tindra Thor |
| 2018 |
Witnessing AIDS in the Archive |
A Visual History of HIV/AIDS: Exploring the Face of AIDS Archive |
Anna Sofia Rossholm, Beate Schirrmacher |
| 2018 |
Breaking news from Petrograd, 1917: Remediated revolution as popular history. |
Screening Protest |
Kristina Widestedt |
| 2018 |
Introduction |
Fashion and Modernism |
Andrea Kollnitz, Louise Wallenberg |
| 2018 |
Ménilmontant: Time, Space and Urbanity |
Fashion and Modernism |
Louise Wallenberg |