| Publicerad |
Titel |
Samlingsverk / Antologi |
Författare |
| 2021 |
We interrupt this program: on the cultural techniques of ’technical difficulties’ |
Miscommunication: Errors, Mistakes, and the Media |
Jörgen Rahm-Skågeby |
| 2021 |
Magic Language, Esoteric Nature: Rikki Ducornet’s Surrealist Ecology |
Surrealist Women's Writing: A Critical Exploration |
Kristoffer Noheden |
| 2021 |
Rational Follies. Fashion, Luxury and Credit in Eighteenth-Century Paris: Fashion, Luxury and Credit in Eighteenth-Century Paris |
Luxury, Fashion and the Early Modern Idea of Credit |
Paula von Wachenfeldt |
| 2020 |
Handsken i labyrintens mitt: Nadja och den dokumentära surrealismen |
Att skriva med ljus: 13 essär om litteratur och fotografi |
Kristoffer Noheden |
| 2020 |
”Hur Rolf blev Lassgård. En skådespelares persona och den svenska självbilden i närhistoriskt perspektiv” |
Historiska fiktioner – en antologi om film, tv och historia |
Maaret Koskinen |
| 2020 |
Brottslighet och namnpublicering |
Uthängd! – inte bara #metoo |
Ester Pollack |
| 2020 |
With Eyes Wide Open: Gender Equality in the Polish Film Industry |
Women in the International Film Industry. Policy, Practice and Power |
Greta Gober |
| 2020 |
Facing the Queer Migrant in Swedish Noir |
Queering the Migrant in Contemporary European Cinema |
Louise Wallenberg |
| 2020 |
Myten om datajournalistik |
Mellan det hyperlokala och globala: Journalistikens förändringar och utmaningar i en digital tid. Vänbok till Gunnar Nygren |
Ester Appelgren, Andreas Widholm |
| 2020 |
“Anticipating Adaptation and Tracing the (In)Visible: David Lagercrantz’ The Girl in the Spider’s Web as Implicit Film Script” |
Nordic Noir, Adaptation, Appropriation. Palgrave Studies in Adapatation and Visual Studies |
Maaret Koskinen |
| 2020 |
Men in Boots: On Spectacular Masculinity and Desublimation |
SHOE REELS: The History and Philosophy of Footwear in Film |
Louise Wallenberg |
| 2020 |
“A More Participatory Culture” An Afterword to the Hebrew edition and a conversation with Henry Jenkins |
Hitlakdut Tarbutit / Convergence Culture |
Doron Galili |
| 2020 |
Media and climate migration: Transnational and local reporting on vulnerable island communities |
Media, journalism and disaster communities |
Florencia Enghel, Anna Roosvall, Matthew Tegelberg |
| 2020 |
Experiencing Male Dominance in Swedish Film Production |
Women Film Workers |
Maria Jansson, Louise Wallenberg |
| 2020 |
Cosmopolitanism in the Anthropocene: - |
The Sage Handbook of Media & Migration |
Miyase Christensen |
| 2020 |
Platsen, tiden, människorna |
Fantastiska verb. Hur man fångar uppgifter om kön och arbete, Västmanland 1720-1880 |
Örjan Kardell, Jonas Lindström, Marie Tengroth Ulväng |
| 2020 |
Domböcker |
Fantastiska verb. Hur man fångar uppgifter om kön och arbete, Västmanland 1720-1880 |
Caroline Lindroth, Carl Mikael Carlsson, Marie Tengroth Ulväng, Maria Ågren |
| 2019 |
Digital Sociality: Groups and the emotional imprint of algorithmic patterns |
Understanding Media and Information Literacy (MIL) in the digital age |
Anja Hirdman |
| 2019 |
George Kleine and the Institutional Film Exchange: An Experiment in Nontheatrical Film Distribution, 1921–1929 |
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s |
Joel Frykholm |
| 2019 |
Introduction |
The Institutionalization of Educational Cinema: North America and Europe in the 1910s and 1920s |
Joel Frykholm, Marina L. Dahlquist |