| Publicerad |
Titel |
Samlingsverk / Antologi |
Författare |
| 2022 |
Kulturjournalistikens roller i den digitala medieekologin |
Kulturjournalistikens världar: Om kulturbevakningens politiska, globala och digitala dimensioner |
Andreas Widholm |
| 2022 |
Medielandskapets förändringar och kulturjournalistikens kriser |
Kulturjournalistikens världar: Om kulturbevakningens politiska, globala och digitala dimensioner |
Andreas Widholm |
| 2022 |
Reporting Fashion: Fashioning Moving Images from Newsfilms to Web Series |
Insights on Fashion Journalism |
Elizabeth Castaldo Lundén |
| 2022 |
Modern Minotaurs: Surrealism, Myth, and Magic in the 1930s |
Surrealism and Magic: Enchanted Modernity |
Kristoffer Noheden |
| 2022 |
Lesbian Desire, Misandry, and Porno Violence in the Fashion Film, 2009-2012 |
Fashion, Performance and Performativity |
Louise Wallenberg |
| 2021 |
Bondhustrun blir husmoder och gör rent hus. Hem och huslighetsideal i Härjedalen ca 1850–1900 |
Med tvål, vatten och flit. hälsofrämjande renlighet som ideal och praktik ca 1870–1930 |
Marie Tengroth Ulväng |
| 2021 |
Hvem publiserer hva? Hvordan kjønn påvirker publiseringsgrad |
Likestilling i akademia – fra kunnskap til endring |
Greta Gober, Øystein Gullvåg Holter, Lotta Snickare |
| 2021 |
Fra unntak til norm – å utvikle resiliens i et nettverk |
Likestilling i akademia – fra kunnskap til endring |
Ylva Elvin-Nowak, Greta Gober, Lotta Snickare |
| 2021 |
Marvelous Montage: Surrealism and Film |
Surrealism Beyond Borders |
Kristoffer Noheden |
| 2021 |
Surrealist Cinema in the Anthropocene: Nelly Kaplan, Jan Švankmajer, and the Revolt of Animals |
Surrealism and Film after 1945: Absolutely Modern Mysteries |
Kristoffer Noheden |
| 2021 |
Neural attunment to others: Shame, social status, and rewarded viewing in reality television in Sweden |
Mediated Shame of Class and Poverty Across Europe |
Anja Hirdman |
| 2021 |
History in the Making: Minor Immigrant Film Studies as Memory Activism |
Negotiations of Migration |
John Sundholm |
| 2021 |
Film |
Surrealism: Cambridge Critical Concepts |
Kristoffer Noheden |
| 2021 |
Nature, Mechanically Reproduced: Surrealist Film and Photograpy Between the Wars |
Thresholds: Interwar Lens Media Cultures 1919–1939 |
Kristoffer Noheden |
| 2021 |
Negotiating motherhood in Sweden: On and Off Screen |
Mothers and Motherhood: Negotiating the international audio-visual industry |
Maria Jansson, Louise Wallenberg |
| 2021 |
"En såffa något kostbar": Snickarna, möblerna och hushållen i västra Härjedalen 1780-1870 |
Härjedalsrokoko under två sekler: Om schatullmakaren Jöns Ljungberg och hans landskap |
Marie Tengroth Ulväng |
| 2021 |
The Time of Our Lives |
Marianna Christofides: Days In Between |
John Sundholm |
| 2021 |
Dramatiska och utmattande: Nio månader av Corona-nyheter i sociala medier |
Journalistik i Coronans tid |
Fredrik Mårtenson, Andreas Widholm |
| 2021 |
Finland Returning to War on Screen: The Unknown Soldier of 2017 |
Nordic War Stories: World War II as History, Fiction, Media, and Memory |
John Sundholm |
| 2021 |
In Search of "The Edison Biograph Company": Film History through Philippine Archives |
Provenance and Early Cinema |
Nadi Tofighian |